Monik Nordine writes to say that the Barracuda! Saxophone Quartet “is back at it, and this time we’re playing seasonal music for anyone who would like to come down to the Moka House (Hillside) and enjoy a warm beverage and some saxophone music. There will be plenty of warmth and good cheer and not only that, lots of saxophones.” By donation. A box for food bank donations will be provided. Nordine, along with Tom Ackerman, Chris Watt and Rainier Roth fire up the saxes on Sunday, December 23rd from 11am -12pm. Hillside at Shellbourne.
And Kelby MacNayr is reprising his highly popular early evening New Year’s bash(dinner and music) at Hermann’s on Monday, December 31st from 5 – 8 pm with Ian McDougall, Louise Rose, Roy Styffe, and Ken Lister. $35.00/ $30 (U-Jam, VJS, advance). Seating is limited and the event sold out last year and so reservations are recommended (250) 388-9166.
Percussionist and impresario Kelby MacNayr asked if I would write a review of his newly-minted “Night of the Cookers” series that launched at Hermann’s last night with an appearance by Phil Dwyer accompanied by MacNayr on percussion and Ken Lister on bass.
I thought I probably wouldn’t because I’ve written a lot about Dwyer lately.
Then I went to the show and was once again gobsmacked by this giant of jazz who lives amongst us mere mortals here on Vancouver Island.
Covering everything from Coltrane to Evans to Rollins on sax and piano, along with a few original compositions and arrangements, Dwyer and the trio wowed a packed house that included a number of Victoria’s top jazz musicians.
Actually “covering” is the wrong word because Dwyer does more than that – he channels the jazz greats, all the while infusing their music with his own soulful and playful energy.
It goes without saying that he’s technically and musically brilliant, but he also brings a drive, energy, and joy to his playing that elevates the music, his audience, and his band mates as he challenges them to go beyond themselves.
Both Lister and MacNayr rose to that challenge, with Lister delivering several gorgeous bass solos and MacNayr, ever the consummate and subtle accompanist, playing with added muscle.
It was a thrilling show, made all the better by Dwyer’s witty and adept handling of the drunk at the back who insisted on shouting out questions every time he introduced a tune.
Just before jumping into the closing piece, a slightly exasperated but still-in-good-humour Dwyer responded, “I don’t need to talk to you, I can listen to the voices in my own head.”
That pretty well silenced her and ultimately it was the music that spoke the loudest.