The last two concerts of U-JAM’s Jazz at the Gallery 2015 are slated for Sunday March 29th and Sunday, April 26th at 2pm at the Art Gallery of Greater Victoria.
Please note the artist swap from the original schedule: Dave Keen now appears on March 29th and Jennifer Scott on April 26th. Ticket holders unable to change dates will be given a refund through the Gallery office.
In the spirit of giving here’s a few ideas for the jazz fans on your Christmas List:
1. Buy a local jazz album. Here are a few suggestions: Saloon Standard by Joe Coughlin, The Ian McDougall 12tet Live, The Measure of Light by the Kelby MacNayr Quintet Look for the Silver Lining by Phil Dwyer and Don Thompson, Christmas Is by Maureen Washington, Lucky So-and-So by Melinda Whitaker. Those are just a few options. Search your favourite local jazz artist at iTunes or CD Baby and you’ll find many more choices. Ask at Lyle’s or Ditch Records in Victoria and encourage them to stock local players.
2. Buy a ticket to a local jazz event. U-JAM’s Jazz at the Gallery is a good bet and sells out every year. Check out the local jazz vespers series around Victoria as well as the Victoria Jazz Society’s offerings.
3. Take your friends to the annual New Years eve show at Hermann’s featuring the Victoria Jazz All Stars. It’s always packed and a lot of fun.
Because I took an interest in the Jill Townsend/Cellar Live Ross Taggart recording project and a lot of the funding came from Vancouver Island donors, I thought I should draw your attention to the latest Kickstarter update released today. I had begun to wonder if the project had died on the vine, and so it was great to hear that progress has been made thanks to the freedom of the summer and the facilities at the Banff Centre.
Here’s the update from Jill Townsend and Bill Coon and a short video:
“The Leighton Artist’s Colony at the Banff Centre consists of nine private studios, dedicated to writing, painting, music and multidisciplinary arts. In late August, Bill and I spent two amazing weeks in our studio with a grand piano where we worked on arranging several of Ross Taggart’s compositions for the 17-piece large ensemble. We each spent 6 hours or more in the studio every day, trading off every two hours. The opportunity to have this kind of quiet, focussed and uninterrupted time to spend on writing music was absolutely fantastic and the beauty of the surroundings was breathtaking. The writing continues now and throughout the fall season.”